Forest Wildlife Art

Wild Dogs In Art Contest Winners

2011-09-11T23:30:00.001-07:00

Here's this week's Wild Dogs in Art contest Winners!
Because I don't consider it fair to win my own contests I discount my own winnings.
Therefore....

Congratulations to Ernie Echols for his First Place winner of a
Mexican Grey Wolf!

Second Place goes to Judith Angell Meyer for her entry,
Hunter.

Tied for Third Place is Deb LaFogg-Docherty's The Greeting

and Judith Angell Mayer's Under Cover.

Nice work everyone! I wish much traffic (and buyers) come your way!

Here are the complete contest results.

FAA Deer Paintings Contest Winners

2011-08-30T23:16:00.000-07:00

Tonight's FineArtAmerica winners of the Deer Paintings contest I hosted are as follows.

First Place goes to Susan Kinney for The Calm:

I entered my own art in the contest for fun, but it just wouldn't be right if I awarded myself. So although I technically won second place, I won't count that. I am awarding Second Place to the next one in line, Xueling Zou, for the entry Summer Moon Night:

Tied for Second Place is Sue Ervin's Twins painting of two little fawns:

Also tied for Second Place is Susan Kinney's Elk in the Woods entry:

Since there were quite a few entries that tied for Third Place I'm not going to post them all. Instead, as a tie-breaker, I'm going to pick my personal favorite from among the third place entries. Third Place goes to Ernie Echols for Bull Elk Freehand:

I like this piece for its simplicity, the harmonious colors, and the lovely lighting. I think it's all very well done.

Congratulations to all the winners!

Here are the contest results:
Deer Paintings Contest Results

FAA Animal Spots Contest Winner

2011-08-20T10:08:00.000-07:00

I recently signed up with Fine Art America. It's a site where you can set up a gallery of images, and offer your art for sale as prints and note cards through their print-on-demand service. One of the fun little things about it is you can host and enter contests, competing with other FAA members. Some of the contests award FAA gift certificates to the winners, but most are just for fun. But it's free to enter and host contests so even doing it just for fun is worth it since it does help bring a little more traffic to your FAA gallery. And if you win a contest hosted by me you get a little extra exposure by getting a mention here on my blog and on my FaceBook page.

Besides entering a few contests hosted by others, I hosted one of my own called Animal Spots. Entries had to show spots on or relating to animals in some way. (You can enter your own contests but I didn't enter this one because I thought it might be weird if I won my own contest.)

Congratulations to the First Place Winner, Sue Melvin, for her entry Young Bluebird's Delight!

Sue Melvin has many other lovely images of birds, butterflies, and other critters as well. Check out her FAA Gallery.

You can see the rest of the entries here: Contest Results

If you're an artist I encourage you to join FAA. It's free. And if you're a member, I encourage you to enter and host contests, also free. It's fun and what do you have to lose?

Achieving Perfection In Our Art

2011-08-11T23:24:00.000-07:00

We all want it in our art. We all strive for a perfect painting, drawing, or sculpture. Sometimes we get downright frustrated and fed up that we haven't yet achieved perfection. No matter how hard we try to get it right there's always something "wrong" with it.

So, how do you achieve perfection in our work? Well....

You don't.
You never will.
Get over it!

Seriously.

The sooner you let go of your death grip on "perfection" the happier you'll be. What defines a "perfect" painting is highly subjective. There is no real definition of "perfection" in art. You can be the most successful, famous artist in the world and someone will hate your work ... and that someone may even be you! In fact, if you ever reach the point where you are 100% satisfied with everything you do, that's a clear sign you have lost your marbles!

There is no perfect piece of art. Art is a progression, not a finality. If you are constantly frustrated that your art is not exactly the way you want it, you need to relax and learn to enjoy the journey, rather than only looking at the end goal. Art is an experience, not a finish line.

If you are hating your art, try to look at every piece of artwork as a step forward, not a failure. Read my blog's subtitle, "Don't be afraid to create just because your creation might be a failure. Remember, every failure brings you closer to success. So if you want to be successful hurry up and start failing as much as you can!" Learn to love your art, every piece, even the ones you want to throw away, for what they have taught you. No piece is a true failure. Every one has given you a gift, taught you something you could not have learned any other way. Love it for what it's given you. Cherish every "failed" art piece as much as the "successful" one because that successful piece would not exist if it had not been for the "failures" upon which it was built.

A lot of artists want to throw out their old or crappy work. Don't! I know right now you want it out of your sight. Fine. Put it in the attic or closet. But don't throw it away. Later, down the road, it will serve as a reminder of how far you've come. You'll cherish it as part of your history. It will serve as a reminder that, now matter how difficult things seem at the moment, it always gets better with time.

How to paint fur

2011-08-01T01:03:00.000-07:00

Of course, there are many styles and methods for painting fur. But I've had a few people ask me how I paint fur, so here's one way of doing it.

There are a lot of different kinds of fur that require different techniques and brushes. As you can see in this painting there's short smooth fur, long wispy fur, thick clumpy fur, etc.

In most cases when painting fur you want to have at least 3 layers, the darkest colors being the deepest areas closest to the skin, ending with the lightest colors highlighting the tips of the fur. You'll also generally want to start with the thicker brushes on the bottom layers and finish with thinner, finer brushes for the wispy hair tips.

In this first detail (below) we have broad areas of relatively smooth fur. Use a fan brush to build up layers. Start with a larger fan to build up the bottom layer and switch to a smaller fan on the next layer. A filbert rake brush can also work here, depending on the animal and its fur type. Try to vary your brush stroke length, stroke angle, and brush angle to keep it from looking too uniform. Wild animals don't get their fur brushed so you want it to look a little scruffy. (Of course, if you're doing a pet portrait of a prize show dog then this doesn't apply. You'll want your brush strokes to stay pretty uniform so your pooch looks well-groomed.) Once the first two layers are down go back and add a few strokes here and there with a script liner to add a little more scruffiness and highlights.

In this second detail (below) we have areas of clumpy fur. Here start with a medium round brush to block in the basic shape of the clumps. Again, start with darker colors on the lower layer. Then use a smaller round to do the middle, lighter layer. Finally, go back and add some wispy fur tips with the script liner once again to the top, lightest layer. Always try to vary your stroke lengths and angles, even getting a few wiggly lines in there once in a while, to give it that "wild" ungroomed look.

Nothing really magic about the technique. It just takes remembering to go from dark to light, larger brush to thinner brush, keeping your strokes varied. And a lot of time and patience. :)

How to store water mixable oils

2011-07-20T23:24:00.000-07:00

How do you store the paints on your palette between painting sessions? When I used regular oil paints I used the method of putting them in a dish and submerging them in water. Obviously that doesn't work with water soluble oils.

Nowadays, I use plastic storage containers as my "palettes" and just seal the lid and toss them in the freezer. Since I like turkey sandwiches, I usually have a few of these floating around to recycle for my painting needs:

Of course, if you don't like turkey sandwiches (why don't you like turkey sandwiches???!), you can always buy containers like these:

It may seem tacky and cheap, but it actually works fairly well. Since I now only paint with 3 primaries and white I don't need a lot of palette space. But, if I do need more space, I can use a few separate containers, one for my blues and greens, another for reds and oranges, etc.

By actually putting paints on, and painting from, these containers, it saves a lot of time and headache not having to transfer them from a regular palette each time I clean up for the day. These small, light-weight containers are also very handy for traveling and doing plein air work.

By the way, you're not actually freezing the paint by putting it in the freezer (but the cold temperature slows down the evaporation rate, preserving the paint's moisture). The oil in the paint does not freeze at the temperature of the average household freezer. It needs to be several degrees colder than that to freeze. So, since the paint doesn't actually freeze, it doesn't hurt it and you don't have to wait for it to thaw. It's ready to paint with right out of the freezer. Here's an article that talks more about it if you want to know more about it:

Freezing Oil Paint

How do you usually store your paints? And what are some of the crazy ways you've tried that may, or may not have, worked?

Realisic and Painterly at the same time?

2011-07-15T00:54:00.000-07:00

I am impressed with artists who can create "realistic" art and still have a "painterly" quality about it. When you think about the definitions of the terms it really doesn't seem like it should be hard to do both. But, in reality, it is. I have tried to do this more with my art recently but so far have not nailed it down.

To do a painterly work and still have it give a realistic feel requires near perfection in color and lighting. I recently discovered the blog of plein air artist, Eckhardt Milz.

He is a master of illusions, in a way.

Look at the painting of the moose in the water. At first glance it almost looks like a photograph. But upon closer inspection (click on the image .. twice .. for a larger view) you see it has a lovely painterly quality to it. This is not easy to do. Believe me, I've tried!

I guess this shows the importance of getting out of the studio and painting plein air, and not just relying on photographs. Easier said than done, of course!

In any case, I've seen very few artists who can do this well, painting both realistically and painterly at the same time. Howard Terpning is one of the few artists who come to mind in this regard. His work is amazing. If you haven't seen it go Google it now. Amazing stuff.

Water Mixable Oil Paints

2011-07-09T23:45:00.000-07:00

I recently read a blog about a way to clean up oil paints without using harmful solvents. While the advice was sound, my first thought was, "Why not just use water mixable oils and avoid solvents altogether?" But then I remembered my recent visit to a local art supply store to buy some water mixables. They didn't have any. I asked the clerk why they didn't carry them. She said they didn't carry them because they just don't sell.

Hmm. Why not? Why aren't artist buying these? In fact, why aren't artists demanding them? Why would anyone want to subject themselves to toxic, smelly chemical solvents if they don't have to? I started asking around and soon discovered that most artists who had ever tried water mixable oils had tried them around the time they were first introduced back in 1992 by Grumbacher as MAX water soluble oils. Artists were quickly disappointed and frustrated by their gummy, tacky properties. I myself tried them and was seriously disappointed, promptly returning to my traditional oils, stinky solvents and all.

Nothing against Grumbacher, mind you. They make fine products. It was just the technology of the time. There were no companies who had got it quite right yet back then.

But years passed and things changed. Water mixable oils have come a LONG way since 1992.

Seriously, if you have not tried them in the last several years you really should give them a second chance. I switched from regular oils to water mixables several years ago and I haven't looked back. There is almost no difference between the look and feel of regular oils and water mixables these days. The only thing you give up is the toxic solvent!

I've tried a few different brands. I quickly fell in love with Van Gogh H2O water mixables because of their soft, creamy texture. I paint fairly detailed and soft oils work better for me. I can paint fine detail without having to thin them much, if at all. Van Gogh H2O water mixable oils were produced by Royal Talens and were considered "student grade" paints. I, however, was never disappointed in them. Nevertheless, Royal Talens decided to discontinue them and replace them with "artist grade" Cobra water mixable oils. I recently replaced some of my dwindling H2O paints with Cobra and I am just has happy as ever with them. They are wonderful! They have the same lovely creamy texture and beautifully rich colors as their H2O paints but now I know they are higher grade and that's just fine by me.

I have also tried Winsor Newton's Artisan Water Mixable Oil Colours. It's a good product but a little too thick and stiff for me. It's harder to do the fine detail with a thicker paint.

I've also tried Holbein Duo water mixable oils. This is also a good product and I use them with my Cobras sometimes. Their "thickness" is somewhere in between Artisan and Cobra.

I personally prefer Cobra among the 3, not because the others are not good products, but because the smooth creamy texture of Cobra works well for the sort of fine detail I like to do.

They are all very good paints, much better then their 1990-something predecessors. Which brand you'd prefer depends on how you paint. If you paint impasto then Artisan is probably your best choice. If you paint fine detail, like me, give Cobra a try. If you're somewhere in the middle then Holbein Duos may be your best option.

Whatever your style of painting, please take the time to give water mixable oils another chance. They have improved a LOT since they were first introduced. If you're like me, you'll be so happy to be away from smelly, toxic solvents and know you're doing a good thing for your health by switching!

Comment below with your thoughts. Have you ever tried water mixables? How long ago? Have you tried them recently? How do you paint (detail, impasto)? Which brands do you like best?

Featured Artist on EmptyEasel.com

2011-06-21T21:17:00.000-07:00

Well, I just found out the other day I was added to the Featured Artist section of the popular Empty Easel website. That was a nice surprise! Thanks Empty Easel!

Fox pup painting detail

2011-05-31T00:29:00.000-07:00

I finally got around to getting a high-res, high quality image of the fox-in-the-tree-stump-den painting. (Still trying to think of a good title for this one. Any suggestions?)
If you read my previous post about this painting you'll know it was the first piece I've ever done with only the 3 primaries (and white), and how that turned out to give the painting some really wonderful grays and browns. Unfortunately, the first images I posted did not do it justice (now replaced). Here are some better images, showing the rich color variations in what's basically a plain brown tree stump.

Below is a closeup of the detail of the tree stump near the top of the image. At first what looks like a gray/brown tree turns out to be full of wonderful blues, greens, purples, oranges, and yellows. I just love it!

New Licensing Deal!

2011-05-29T23:46:00.001-07:00

My artwork is now available as a jigsaw puzzle! I'm really happy to have signed a deal with Buffalo Games along side such notable artists as Darrell Bush, Lesley Harrison, and The Hautman Brothers.
Well, it's actually not that new. I'm just a little behind updating my blog and web site. I actually signed the deal at the end of last year. I think the puzzles became available around March. Anyway, it's here now, and I look forward to creating some more images for them in the future.

A New Challenge

2010-10-25T00:03:00.000-07:00

This post is about a painting I just finished of historical significance. Not of historical significance to the world. Just to me, really. The reason it's so significant to me is that it is the very first painting I have ever done using only the three primaries (red, yellow, blue) and white. All previous paintings have used various tubes of pre-mixed colors, especially browns.

My tube of Burnt Sienna is feeling very jealous and neglected at the moment.

Why did I do this instead of using my tried and true loyal friends, Burnt Sienna and Raw Umber? I'm not sure. I think part of it was I didn't feel I really knew my colors. How can I really understand how to mix Burnt Sienna with Naples Yellow if I don't even know what it takes to create either of them?

Or, maybe I just needed a new challenge.

Oh, never mind the "why" of it. Let's just get on with it.

Last year I attended a wildlife photography workshop in Montana at the Triple D Game Farm hosted by wildlife photographer Paul Burwell and I got a lot of great photos. Well, maybe "great" is a bit strong, since I'm not a great photographer. But I did get a lot of photos, close to 1,000. The nice thing about being an artist is that my job is to enhance the good parts of a photo and paint away the flaws, so I don't have to be the world's best photographer. Thank goodness! :)

This is an example of that. Below are two photos I took from the photo shoot. In the first one, I thought the fox pup was adorably cute, peeking out of his den. I really wanted to paint him in that pose. The problem with that image was composition. I didn't want my subject (the fox pup) to be dead center. Not very exciting composition-wise.

In the second image, I liked the position of the fox and den better, being more off to the left, closer to the rule of thirds. I also liked the addition of foliage and shadows to the right, adding some interest. But, of course, this pup's pose was not nearly as cute.

In addition to the pose/composition not being ideal in either image, the colors were also a bit drab. The overall color was a rather boring, cool gray. I decided to do a little digital editing on my computer, combining the two images to get the best of both, and also enhance the color to give it a little more warmth. Here you can see I moved the cute-pose pup to the lower left and added the foliage to the right. Here's the result:

Ah, much better! Even with these digital enhancements it still wasn't exactly what I wanted. I thought the tangle of shadows on the lower right was a bit distracting, taking attention away from my adorable pup. Also, I liked the idea of the little green sprout in the front to tie in with the rest of the foliage, but I didn't like its position. So I cut out the shadows on the lower right, and I moved the little sprout over to the lower left to help balance the greens. Here's the final painting:

As for painting this with only the three primaries and white, it was a bit of a challenge at times, especially when it came to creating the darks and grays. There was more than one time I pulled some hair out. I'm glad I did it, though. I like the subtle color variations in the grays and shadows. And the darks and grays are richer and more vibrant than they would have been had I used black and Payne's Gray. I'm very pleased with the way this painting turned out. I think I will continue to try to do my paintings with limited palettes such as this.

I just hope my tube of Burnt Sienna will forgive me someday.

Art and the Economy

2010-10-23T11:06:00.000-07:00

I'm curious to see how artists and art collectors are doing in this poor economy over the past year or two. With unemployment and home foreclosures high, I'd imagine things are a bit tough in the art world. It's hard to imagine people spending money on art when they are struggling to keep their homes or put food on the table.
If you are a full or part-time professional artist who makes some or all of your income from art, have you felt the pinch? Have sales dropped noticeably? Have you changed your marketing strategies to try to counter some of the effects? Have you had to take on other, non-art-related work?
If you are an avid art collector, have you had to curb your spending on art recently, or changed your buying habits, like buying more prints and fewer originals?
Leave your comments below.

BoldBrush Painting Competition

2010-10-23T10:52:00.001-07:00

If you use FaceBook, please vote for my painting in the competition. Click on the image below to follow the link to the competition page. Once there click the "Like" button to the right of the to vote. Thanks!
Of course, feel free to enter your own painting in the competition as well. There's a new one every month.

International Wildlife Art Showcase

2010-10-08T16:22:00.000-07:00

http://www.ocartguide.com/wildlifeart-byentryorder.php

Wildlife Photo Shoot

2009-08-02T13:35:00.000-07:00

I recently came back from a wildlife photography workshop with Paul Burwell at the Triple D Game Farm in Kalispell, MT. Other than having to get up at 4:30AM (ugh) every day, it was lots of fun and I got some great shots that are going to make some nice paintings. I got photos of a Canadian lynx, baby bobcat, foxes, coyotes, wolf, black bear, cougar, baby raccoon, river otter, and an absolutely magnificent Siberian tiger. I took about 2,000 pictures! Not being an expert photographer, they aren't all usable, but I have more than enough good ones to keep me painting for a few years. Now the hard part is going to be trying to decide which to paint first!

Call of the Wild

2009-06-05T20:27:00.000-07:00

I haven't posted for a long time. With the economic downturn and the closing of Wildlife Art Magazine, the life of a wildlife artist has become discouraging. My art has temporarily taken a back burner. I haven't given up on it, but in light of the situation other things have taken priority.

It won't stay that way forever, however. Every day my canvases and paints call to me as I walk past my open art room door, and every day their calls get louder. Sooner or later I won't be able to ignore them any more.

Originals must go

2008-09-01T20:12:00.000-07:00

My originals have not been available for sale for a while. My goal was to wait until I had painted a rather large collection of originals and present them to a gallery for sale. But I just don't have the space. My studio is getting crowded and it's time to let some go. First up for sale is my painting of a mother giraffe and her baby. Click the image for more info.

Wildlife Art Magazine Ceases Operations

2008-05-20T14:38:00.000-07:00

Sad news. An excerpt from an email I received the other day:

Dear Wildlife Art magazine community,

It is with deep regret that we announce that Wildlife Art magazine ceased operations Friday, May 9. We remain hopeful that someone will purchase the magazine and continue to operate it for the benefit of wildlife art lovers around the world...

(edited to remove names, personal email addresses, and phone numbers)

...The Wildlife Art magazine staff is tremendous! Should you choose to work with any of them on future projects know you'll be working with talented professionals.

We appreciate the three-plus years of relationship we've had with each of you, and wish you well.

Sincerely,

Keith and Tricia

The email did not say why the company is closing down but I contacted Paul Montag from the magazine to confirm that is, indeed, true. It appears to have been a surprise to most of the employees there.

This is particularly sad for me. Wildlife Art Magazine has been around for at least 30years I believe. It's been there for me as long as I've been in the wildlife art business and it's always been my main source of news and information on the wildlife art world. There's nothing out there I know of that can take its place. I truly hope someone does buy the company and keep it going. It will be sorely missed by many in the wildlife art world if it's gone for good.

Art Shows - May 2008

2008-05-01T11:22:00.000-07:00

Note: These are not listings of shows I will be participating in. They are just art shows with wildlife and/or western themes that may be of interest to you.

March 1 - June 1
The Art of Robert Bateman
The Wildlife Experience
10035 South Peoria
Parker, CO 80134
720-488-3300
http://www.thewildlifeexperience.org/

April 1 - May 16
The Horse in Fine Art
Columbia Art League
111 South Ninth St
Columbia, MO
573-443-8838
http://www.aaea.net/2008springshow/default.htm

April 18 - May 9
Masterworks for Nature Celebrates the Wilds
Cincinnati Art Galleries
225 East 6th St
Cincinnati, OH
513-232-0954
http://www.masterworksfornature.org/

May 2 - 4
27th Annual Decoy & Wildlife Art Festival
Havre de Grace Middle School
Recreation Center
Havre de Grace, MD
410-939-3739
http://www.decoymuseum.com/special.html

May 2 - 24
Native Visions
A Collection of Work by William Sitting Bull and William Zelt
304 E. Elkhorn Ave
Estes Park, CO
970-586-9203
http://www.estesarts.com/gallery/index.asp

May 2 - June 14
17th National Juried Exhibition of Traditional Oils
Dana Gallery
246 N. Higgins
Missoula, MT
406-721-3154
http://www.oilpaintersofamerica.com/17thNationalShow.htm

May 3 - 4
Reflections of Nature
Art Center at Fallbrook
103 S. Main
Fallbrook, CA
760-728-1414
http://www.fallbrookart.org/

May 9 - June 8
Walk on the Wild side with Jim Oliver
104 E. Main Street
La Grange, KY
502-222-3822
http://www.gallery104.org/Gallery%20104/Navbar/events.html

May 10 - 11
Montana Wildlife Art Show
Holiday Inn Downtown
200 S Pattee St
Missoula, MT
406-721-8550
http://www.wildlifefilms.org/festivals/iwff/index.html

May 16 - 18
Ellensburg National Art Show & Auction
Kittitas Valley Event Center
512 N Poplar St
Ellensburg, WA
509-962-2934
http://westernartassociation.org/

May 17 - 18
Peppertree Art Show
3631 Roblar Avenue
Santa Ynez, CA
805-688-6205
http://www.peppertreeartshow.com/

May 17-18
Sculpture in the South
Azalea Park
Summerville, SC
843-851-7800
http://www.sculptureinthesouth.com/

May 24 - 26
34th Annual
Memorial Day Weekend
Western Art Show and Sale
Courthouse Plaza
Prescott, AZ
928-778-1385
http://www.phippenartmuseum.org/events/westernartshow.html

WAY Competition Deadline Extended

2008-01-01T13:58:00.000-08:00

The David Shepherd Wildlife Foundation (DSWF) has extended the entry deadline for its Wildlife Artist of the Year competition to Feb 1, 2008 so there's still time to enter!

It's open to all artists worldwide, professional or amateur. The winner will receive a £10,000 prize. The runner up will receive £1,000 and the winner of each category will receive £500. The categories are as follows:

Endangered Wildlife - any wild animal or plant that is threatened or endangered nationally or internationally
Wild Places - any scene or landscape showing the natural environment at its most beautiful or dramatic
Wildlife in Action - any wild animal jumping, fighting, flying or any other interesting behavior
Wildlife in 3D - sculpture using any medium
Abstract - let your imagination go wild!

For more information visit the David Shepherd Wildlife Foundation (DSWF) or the Wildlife Artist of the Year website.

Encourage or Discourage Young Artists?

2007-11-11T23:47:00.000-08:00

In every issue of Wildlife Art magazine there is an article about a successful or up-and-coming wildlife artist which talks about how they got where they are today. Sadly, nearly every one of them I read about seems to have been discouraged from pursuing art at some point in their lives. No matter how talented and enthusiastic the young artist was there was always someone, often an art teacher, counselor, or parent, who strongly discouraged any notion the child may have had about being an artist when s/he grew up. Why is this?

I myself, despite having a father who was very artistic, was strongly discouraged by both parents from even thinking about becoming an artist. It was so thoroughly knocked from my brain as a child that after years of struggling in college to decide on a major I never even considered art an option. Now I look back and so often wonder why.

I just don't understand why every non-artist (and many artists) are so quick to tell you that doing art for a living is "impossible" and a sure path to homelessness and despair.

Yes, I understand it is often a difficult road, but there are many paths in life that are difficult. Being a doctor, for example, is actually quite difficult. Medical school is extremely difficult, takes many, many years, costs a fortune, and leaves the graduate stressed and in an enormous amount of debt. Then, of course, s/he has to survive internship, also quite difficult. But do parents discourage their child from dreaming of being a doctor? No! What "good" parent wouldn't prefer their child pursue a career as a doctor instead of an artist? Very few, I'd imagine.

Why? I'm not sure. But I'd imagine it's because they believe all doctors are rich, and all artists are poor. Yeah, maybe, on average there are more doctors earning good salaries than artists. But I have known doctors who struggle financially, and there are many artists who are doing quite well.

But it's more than about money. For some reason in this country having your child grow up to be a doctor is something to brag about. Having your child grow up to be an artist is something to be ashamed of and deny.

I finally graduated from college with a degree in Business Administration. Six months after graduation I decided there was no way this was the life for me. I quit my job and started painting full time. One day my father asked me what he was supposed to tell people I do for a living now. I told him to tell them I'm an artist. He visibly cringed and replied that he couldn't possibly do that. He'd have to make up something up because it would be too embarrassing to tell people his daughter was an artist.

But it wasn't just my father. My mother also discouraged me, not because she was embarrassed by the idea of having a daughter as an artist but because she really believed, for some reason, that no one buys art. How could I possibly make a living when no one would ever buy one of my paintings?

And, of course, there were art teachers. It seems every art teacher in school believed that all artists were either starving or teaching, so unless I wanted to teach, I shouldn't bother to pursue art.

Yet, every issue of Wildlife Art magazine has stories of artists who have managed to "make it" to some degree in the art world. And this is just wildlife art. I'm sure there are many more landscape, still life, and portrait artists, among others, who are doing OK for themselves in the art world. So every time I read the story of some artist who made it despite discouragements I have to wonder how different things would have been had they listened. And then I wonder how many more artists there are out there who actually did listen to the discouragements and are now working in some dead-end job they hate, the world deprived of their works, they deprived of their dreams.

So if you are a teacher, counselor, parent, or just a concerned friend, and you know someone with dreams of becoming an artist, please do not discourage them. Let them try and find out for themselves one way or another. You may think you are saving them from disappointment but you may actually be destroying a dream that could have come true and now, because of you, never will.

Art Book Recommendation: Brushwork Essentials

2007-11-05T08:20:00.000-08:00

This is a great book by an amazing artist whose work I really admire, Brushwork Essentials by Mark Christopher Weber. Not only is this book full of beautiful images of his work, it also offers sound instruction on brushwork techniques. He covers a lot of stuff, from brush anatomy to painting light and shadow. He focuses on oil paints but his instructions should apply equally well to acrylics. This is a must-have for beginners but more advanced painters could still learn a few things. And even if you learned nothing new from it I'd recommend it just to have so many nice samples of his artwork to study and admire.

If you haven't already done so please visit his website to view samples of his extraordinary work.

Upcoming Art shows - Nov 2007

2007-10-29T09:21:00.000-07:00

Shows to see:

Nov 9-11
Waterfowl Festival
Easton, MD
www.waterfowlfestival.org
410-822-4567

Nov 9-21
Women Artists of the West 38th Annual Invitational
Hilligoss Galleries, Studio of Long Grove
360 Historical Lane
Long Grove, IL
www.hilligossgalleries.com
847-634-4244

Nov 10-11
Pepper Tree Art Show
3617 Roblar Ave
Santa Ynez, CA
www.peppertreeartshow.com
805-688-6205

Nov 16-18
Wildlife Art Festival the 25th Anniversary
2024 Orange Tree Lane
Redlands, CA 92374, USA
www.sbcounty.gov/museum/
909-307-2669

November 17-18
Eastern Pennsylvania Wildlife Art Show
Town Hall
New Hope, PA

Nov 17-18
Twelfth Annual Plantation Wildlife Arts Festival
Thomasville Cultural Center
US Highway 319
Jackson Street
Thomasville, GA
www.pwaf.org
229-226-0588

Shows to enter:

Nov 30 deadline
Endangered Species Juried Art Competition
Wildling Art Museum
www.wildlingmuseum.org
802-688-1082

Endangered Species in Art: Brown Pelican

2007-10-22T22:17:00.000-07:00

The brown pelican is currently with the U.S. Fish & Wildlife Service as an endangered species, as it has been for quite some time. Here are some paintings of this magnificant bird for you to enjoy. Hopefully art and photos will not be the only way this bird will be seen in the future.

Turning to Preen
Subject: Brown Pelican
Dimensions (inches): 20 x 15
Medium: Acrylic
by
Anne Peyton

Soft Landing (2000)
Subject: Brown Pelican
Medium: Pastel on sanded paper
by
Judy M. Hohl

Brown Pelican
Subject: Brown Pelican
Dimensions (inches): (framed 10"x14")
by
Paul Makuchal

Uncommon Wildlife Art Subjects: Hyena

2007-10-14T20:47:00.000-07:00

This second post in my uncommon wildlife art subjects series is about the hyena. The hyena, the homeliest of "dogs" with its laughing bark, awkward gait, and reputation for scavenging is not, in fact, a member of the dog family. It is in its own family, Hyaenidae, which is oddly more closely related to the mongoose and meerkat than the dog. While not the most attractive member of the animal world it is, nevertheless, a fascinating one.

First of all, despite their reputation for being slobbering, filthy scavangers, some species of hyena are actually very efficient hunters. They are also highly intelligent, equal in intelligence to some ape species.

Another particularly unusual and interesting fact about the hyena is the presense of a psuedo-penis on the female hyenas. Read more about this and other interesting facts on Wikipedia.

So maybe you'll think about these animals in a new way as you enjoy some hyena paintings by some wonderful wildlife artists.

Here Comes Trouble
Subject: Spotted Hyena
Joni Johnson-Godsy

Hyena Cub
Angela Drysdale

Lazy Hyena
Nico Bulder

Protecting Your Images Online

2007-10-06T23:14:00.000-07:00

A few people have asked me if I'm worried about having my images online. Am I? Not really.

Artists new to the online art world are sometimes a little hesitant to put their images out there, fearing unauthorized use and distribution of their artwork. But there is so much opportunity for positive exposure on the internet that it would be a shame not to take advantage of it because of this concern.

There are several things you can do to help protect your images from unauthorized use. Watermarking is the probably one of the oldest and most common forms of protecting images. It won't stop people from downloading your image but it will make it unusable for printing or trying to take credit for the work. People are also less likely to want to download it when there's an obvious watermark on it. Here is an example of a typical watermark:

Not very pretty, though, is it?

There are other things you can do that won't ruin the appearance of your image. In order to download an image off a website people generally have to right-click on it to bring up the save image menu option. There is a javascript you can add to your site that will prevent people from right-clicking on your image and pop up a notice warning them that your images are copyright protected. This only discourages the less Web-savvy thieves out there, however, since it's really not hard to find the image URL by viewing the source and downloading it directly. They could also simply take a screen capture and crop and save the image that way.

Another option is to "shrink wrap" your image which is a way of putting a fake transparent image over the real image so when someone tries to download your image they think they're getting the real thing when, in fact, they are getting the transparent image. You can find out how to do this here on About.com.

Personally, I don't do any of these things, really. People distributing my art all over the web just means more exposure for me. The trick is to make sure my name and web address stay with my image so the free publicity does me some good so I add my name name and web address into my images directly. I guess you could call that a form of watermarking but it doesn't obscure the image the way the typical watermark does. Here's how mine looks:

You might argue that if someone wants to steal your artwork they could simply crop the name and address off the bottom. Well, yeah, they could. But I think the vast majority of people who download and distribute your images do so simply because they like it and want to share it with friends. I don't think they're trying to take the credit away from you and are unlikely to go to the trouble to crop the image. Names and links to the sources of images are usually just lost out of carelessness and lack of web page editing skills.

To discourage those who might actually want to steal credit for your work, or print it out, I suggest simply keeping your images low resolution and low dpi. Keep the dimensions smaller than 500 pixels and keep the dpi below 96. You can also add a 10-20% jpg compression which will further degrade the image. On your computer screen these adjustments won't affect the image much and it will still look decent on your web page. If your image is, say, 400 pixels wide at 72 dpi then when someone tries to print it out on their computer printer it will only be about 5 inches wide and won't look too great. Should they try to force it to fill the page in an attempt to get an 8"x10" print it will look downright horrid at that resolution and dpi. Maybe they'll be satisfied hanging that crappy postcard sized print on their wall but they certainly won't get away with trying to sell them as fine art prints to anyone but a blind person.

Endangered Species in Art: Leopards

2007-09-25T23:56:00.000-07:00

A lot of artists paint endangered species, not just to preserve the image of a beautiful creature that might one day soon no longer exist, but to help raise awarenes of the urgent need to try to prevent its extinction. It's not surprising considering whatever love of nature it is that motivates them to paint also makes them concerned about their art subjects. Here are some artists who are painting not just to create beautiful images but also to try and help save the animals in these images. Many of these artists not only paint to raise awareness of the animal's plight but also to raise money for organizations that help protect them. So next time you consider buying a piece of wildlife art considering buying from one of the artists out there who is doing his or her part to help save a species. Here are just a few examples. There are so many species endanged, unfortunately, that I'm only focusing on one group today, the endangered leopards. Enjoy these wonderful leopard images.

Michael Pape - 5% of sales of this print go to the Amur Leopard Conservation Support Programme

Michael Pape - 5% of sales of this print go to the Snow Leopard Trust

Brenda Johnson - 10% of sales of this print go to the Snow Leopard Trust

For more artwork devoted to endangered species conservation visit the endangered species art section of the Artists for Conservation web site.

Save a Deer, Shoot a Hunter! (Part 2)

2007-09-19T23:27:00.000-07:00

(For Part 1 click here.)

Do you hate hunters and hunting? Does the idea of some slack-jawed neanderthal of a redneck/hick/hillbilly blowing the brains out of Bambi send you into a rage?

Hunting season is here and your jerk of a neighbor just loaded up his 4-wheeler with guns, bows, knives, and a 12-pack, heading off to the woods to end the lives of poor innocent creatures!

Can you believe that idiot?!

And, while steam is still coming out of your ears, do you sit down and think about the letter you're going to write to your congressman to ban hunting while you chow down on your plump juicy steak (or chicken or pork roast) dinner?

Damn hypocrite!

Yes, you!

What are you thinking, cursing hunters for shooting a deer while you eat the flesh of a cow? Are cows less worthy of life than a deer?!

Now, don't get me wrong. I'm not a vegan, or even a pescatarian. I don't believe humans were designed/evolved to live without eating animal protein. I actually tried vegetarianism for a while myself and my memory went down the tubes in hurry (which was really bad since I was in college at the time and my grades went to from a B+ average to more like a C). Yikes!

Besides myself, I personally have known several vegeterians, none of whom were healthy or even sane. That's not to say there aren't healthy and sane vegetarians out there. I just haven't personally known any so my experience with vegeterianism hasn't been a positive one.

Ok, so let me get back to the point.

I have met many people like you, who curse the idea of hunters and hunting while thinking it is perfectly fine to eat farm-raised beef, pork, and chicken. Heck, I was that way myself once. After all, that's what the cows and chickens are raised for, right? While ruthless hunters are just blowing the brains out of innocent animals for kicks, a gun in one hand and a beer in the other, laughing all the while, right?

Yeah, ok, if that's what you believe.

But actually hunters, at least the ones who eat what they kill, are doing less harm to animals and the environment than you are.

Wtf, you say!?

Yeah, really. Stop and think about it.

The most important non-CO2 greenhouse gas is methane, and the number one source of methane is animal agriculture or "factory-farming." According to EarthSave.org:

Methane is responsible for nearly as much global warming as all other non-CO2 greenhouse gases put together. Methane is 21 times more powerful a greenhouse gas than CO2. While atmospheric concentrations of CO2 have risen by about 31% since pre-industrial times, methane concentrations have more than doubled.

Animal agriculture produces more than 100 million tons of methane a year. And this source is on the rise: global meat consumption has increased fivefold in the past fifty years, and shows little sign of abating. About 85% of this methane is produced in the digestive processes of livestock, and while a single cow releases a relatively small amount of methane, the collective effect on the environment of the hundreds of millions of livestock animals worldwide is enormous.

So, you see, hunters who eat deer instead of factory-farmed cattle are doing more good for the environment than you are.

I know what you're thinking: "But, deers crap and fart too! Don't they release methane as well?"

Well, deer farts maybe. I don't really know. But not deer crap. Part of the problem with factory-farmed cattle is that there are millions of cattle all crammed together in pens (and if you've ever driven through central CA you'll know what I'm talking about) where waste accumulates in large quantities. In nature, deer crap is scattered sparsely throughout the woods. This gives it a chance to dry out rapidly and return to dust that nurishes the soil. In these factory-farm pens of cattle there is no room to scatter the waste sparsely, allowing it to dry. It accumulates knee-deep and rots, releasing huge amounts of methane in the process. Not only is this bad for the environment but the cows are probably miserable wallowing knee-deep in their own waste, too.

Which brings me to my second point. What about the lives of the animals you're eating? Which is worse off, the deer that roamed free and lived a natural life until the day a hunter's bullet took it down? Or the cow that was born wallowing in cow crap, living its entire short life crammed so tightly with other cattle it never had room to move or even lie down? This isn't just killing, as a hunter does to a deer. This is life-long torture. And the same goes for the way chickens and pigs are factory-farmed.

So next time you sit down to eat your meat-filled meal, think about the poor factory-farmed animals. If you can go vegan (and stay healthy and sane) then great! If not, I understand. But try to at least buy free-range meat, poultry, and eggs whenever you can.

And while you're eating your free-range chicken dinner, try not to hate your neighbor-hunter who's eating venison next door. That deer probably lived a happier, healthier, more natural life than your farmed chicken ever knew.

(For more information on factory farming and what you can do to help stop the cruelty visit FactoryFarming.com and FarmSanctuary.org)

Upcoming Shows and Exhibitions

2007-09-13T23:16:00.000-07:00

Since my last post was about wildlife art shows I decided to look around and see what else is coming up in the near future for your wildlife art viewing pleasure. I realize not all of you can get to Port Townsand, WA to visit David Kitler at the Fort Worden show so let's see what else there is that might be closer to your neck of the woods. I'll just cover Sept and Oct for now.

Sept 8-Nov 11
Birds in Art Exhibit
Leigh Yawkey Woodson Art Museum
Wausau, WI

Sept 14-Oct 7
American Plains Artists 23rd Annual Exhibit
Loch Vale Fine Art
Estes Park, CO

Sept 15-16
North Georgia Wildlife Arts Festival and Outdoor Expo
Downtown City Park
Blue Ridge, GA

Sept 22-23
New England Wildlife Art Show
Earthplace Nature Discovery Center
Westport, CT

Sept 29-30
Maine Woodcarvers Association and Wildlife Artists Show
Augusta Armory
Augusta, ME

Oct 5-6
Bill Worrell and Barbara Westwood Annual Fall Show
Exposures International Gallery
Sedona, AZ

October 5-7
Wild Wings Fall Festival Original Art Show and Sale
City Hall
Lake City, MN

Oct 5-14
Georgia National Fair Wildfowl and Wood Carving Competiton Exhibit
GA National Fairgrounds
Perry, GA

Oct 12-14
17th Annual Reflections of Nature Wildlife Art Competition, Show and Sale
Saskatoon Prairieland Park
Saskatoon, Saskatchewan, Canada

Oct 19-21
Wildlife Art Show and Sale
Civic Center Plaza
San Dimas, CA

Oct 19-21
26th Annual Southern Wildlife Festival
John C. Calhoun College
Decatur, AL

Oct 20, 2007 – February 17, 2008
47th Annual Society of Animal Artists Exhibition
The Wildlife Experience
Parker, CO

Oct 27-28
15th Annual Woodcarving and Wildlife Art Show
East Berlin Area Community Center
East Berlin, PA

I'm sure there are many more shows and exhibitions going on out there so if you know of some not listed here add it to the Comments section here. Thanks!

David Kitler at Fort Worden Wildlife Art Expo

2007-09-08T22:24:00.000-07:00

Wildlife artist David Kitler has been a busy man. This year's activities include participating in several art festivals and expos, giving demonstrations and workshops, a presentation at the Cornell University Lab of Ornithology, and completing his first instructional DVD on drawing techniques. And somewhere in there he still finds time to paint!

One of the expos he's attending this year is the Fort Worden Wildlife and Nature Art Expo in Port Townsdend, WA. I had the pleasure of meeting the artist at this same expo last year. He's very friendly, eager to meet people and answer any questions you may have. This year the event takes place Oct 5-7 so if you're in the area on those dates I' highly recommend you stop by and say hi to David. There will be lots of other great artists there too. For more info visit the Wildlife Art Expo site.

New Wildlife Expedition Journal Online!

2007-09-04T22:59:00.000-07:00

New wildlife expedition journal online for your viewing pleasure!
Not mine, though.
Sorry.
The journal I'm referring to is that of wildlife artist Pollyanna Pickering about her trip to "The Land of the Thunder Dragon" to explore the nature reserves of Bhutan through the Flag Expeditions Program sponsored by Artists for Conservation.
I wish I had a new wildlife expedition journal of my own to talk about.
Well, in a way, no.
After reading her journal I have to admire her for what she went through on her journey. It sounds like it was pretty rough at times! But I'm glad she was willing to endure it to share her experience with us. Her journal contains over 200 pages of beautiful drawings and photos as well as fascinating notes about her trip! I highly recommend taking a look:

Uncommon Wildlife Art Subjects: Manatee

2007-08-30T21:31:00.000-07:00

This morning, while enjoying the fleeting summer sunshine up here in WA, I sat out in the backyard with my dog, a cup of coffee, and the sound of chickadees at my bird feeder, and did a little reading. Reading is something I seem to have way more of then time for since I have a bad habit of collecting more books and magazines than I'll be able to read in a lifetime. But I managed to grab a few minutes this morning to pick up an unread issue of National Wildlife Magazine. It was the April/May 2007 issue and contained an article about manatees entitled, "Smarter Than They Look" and talked about how manatees, once thought to be rather stupid creatures, are actually quite intelligent.

"Far from being slow learning, manatees, it turns out, are as adept at experimental tasks as dolphins, though they are slower-moving and, having no taste for fish, more difficult to motivate."

It was a very interesting article, actually, and this made start to think about how many truly fascinating creatures there are in the world that, because they aren't the prettiest, no one wants a picture of them on their living room wall. Well, few people anyway. It got me thinking about uncommon and unusual subjects of wildlife art and I decided to take a look and see if I could find artwork of manatees. Everyone has their animals that appeal to them and surely someone, somewhere, must like manatees, homely as they are, and has drawn, painted, or sculpted one, right?

Well, you certainly won't find as much artwork on manatees as you would elk or tigers but there are some. So here some images I found of artwork of manatees, my first subject in my "Uncommon Wildlife Subjects" blog series. Enjoy.

Diane Muratore Bruckner

Barry R. Ingham

I tried to find a painting of a dugong could only come up with a couple of illustrations, not what would be considered fine art. If you know of a painting of dugong let me know and I'll add it here. To help you identify them here's a chart of the various specious of the order Sirenia from Sirenian International. The most obvious difference is the tail, the dugong having one shaped more like a dolphin or whale while the manatee has a round paddle-like tail similar to a beaver. (Click the image for a larger view)

Cute and Funny Pictures of Deer

2007-08-28T21:37:00.000-07:00

I recently created a page on and while browsing pages of others who like animals I kept finding site after site of cute and funny animal pictures. Most of these are pictures of beloved pets such as dogs, kittens, and bunnies. There seemed to be an endless supply of websites dedicated to cute pet pics. It's only natural since we're emotionally attached to them but they're also easier to photograph than wild animals. Of course, that doesn't mean there aren't cute pictures of wild animals out there, they're just a bit harder to find. I decided to pick a favorite wild animal (deer of course!) and see if I could start a collection of cute deer pictures. Here's what I've come up with so far.

Whitetail fawn
(Source: AGPix, Erwin and Peggy Bauer)

Deer and rabbit friendship
(Source: Animal Intelligence)

Cat chases deer
(Source: Native Plants Society of Oregon)

(Source: Big Game Alaska)

(Source: Summer Times)

http://home.sonic.net/~jwermont/attachments/deer/deer.html

http://www.flickr.com/photos/peaceofmind/368433676/

http://www.fox11az.com/news/topstories/stories/kmsb-20061020-kgwjc-rundeerrun.59317c29.html

http://www.animalliberationfront.com/News/AnimalPhotos/Animals_21-30/HorseFawn.htm

http://www.rawfoodinfo.com/articles/art_Bellathefawn.html

http://www.premierphotographer.com/funny_pics_1.html

http://www.shastacabins.net/

http://www.paws-photo.com/deer.htm

Wildlife Art and Wildlife Conservation ... Why the Gap?

2007-08-26T21:37:00.001-07:00

I have been a supporter of the National Wildlife Federation since I was a teen (and that was a long, long time ago!). I've subscribed to their magazines for eons. I've purchased many a gift item from their catalogs and contributed to many of their fund raising efforts. I'm sure there are many, many other wildlife artists who contribute to their favorite conservation funds, too.

It seems only natural, right? And yet, I scratch my head and wonder why there is so little wildlife art offered by wildlife conservation organizations. Browse the online catalogs of organizations such was National Wildlife Federation or The Nature Conservancy and you will find all sorts of nature items, from books to bedspreads, but you will find surprisingly few wildlife art prints or posters and absolutely no original artwork.

I almost feel betrayed.

This lack of artwork is most puzzling to me since wildlife art and conservation seem a natural partnership. Wildlife artists have done so much for conservation efforts. Artists such as Robert Bateman have made huge contributions to conservation awareness and efforts. He was been honored with the Governor General's Award in Quebec City for his contribution to conservation in Canada, the Perkin’s Partner in Conservation Award presented by The Wild Canid Center, the U.S. National Audubon Society One of 20th Century’s 100 Champions of Conservation, and the Roland Michener Conservation Award presented by the Canadian Wildlife Federation, among others.

And yet, I have never once seen a print of his work offered in a conservation organization's catalog. Why?

Of course Robert Bateman is not the only wildlife artist who contributes to wildlife efforts. There's a whole group of wildlife artists dedicated to this effort, Artists for Conservation. As of this post member artists have pledged $13,943,109.79 to conservation funds. And yet, no conservation organization that I know of offers even a reciprocal link to this website.

Am I crazy, or is something wrong here?

Save a Deer, Shoot a Hunter!

2007-08-21T14:10:00.000-07:00

No, of course I don't want to you really shoot a hunter! I got your attention, though, didn't I?

But, seriously, we should protect wildlife by banning all hunting, right? Hunting is a cruel and unnecessary sport and hunters are just evil people who enjoy torturing animals and watching them suffer, right?

Well no, actually, I don't think so.

You're thinking, What!? You're a wildlife artist! You love wildlife! You love nature! You contribute to wildlife conservation! You care about animal rights! How could you possibly not support a hunting ban!? How could you not think hunters are horrible, cruel people!?

It's quite simple really.

First of all, the sad reality of this world is that it revolves around money. Wildlife conservation would not exist without money and hunters make huge contributions to wildlife conservation efforts through hunting licenses and through the support of organizations such as Ducks Unlimited and the Rocky Mountain Elk Foundation. Like it or not, without hunters there would be a whole lot less wildlife conservation going on.

Secondly, hunters aren't horrible, cruel people either. Well, not all of them anyway. I'm sure there are some bad apples out there just as there are in any group. But many hunters care very deeply about nature and wildlife. Now, I personally can't understand how you can love something and then kill it but I have met and talked with hunters enough to know there are such people. I don't know understand it but I know other people can feel that way somehow (just like I can't understand how anyone can like brussel sprouts but I know some people do!). I can tell by the looks in their eyes and the sounds of their voice when they talk about it that they love nature more than anything. These particular types of hunters are ethical and compassionate and have no desire to cause pain and suffering to the animals they hunt. Many are willing to let "The Big One" get away rather than hit it with a sloppy shot and they abhor sloppy, unethical hunters as much as we do.

I'm all for the ethical and humane treatment of animals but when attitudes become extreme then logic becomes flawed. While I appreciate the intentions of IDA, for example, something they said in an article about how to better reduce and control the deer population seemed a little absurd to me.

"Hunting does remove some animals from the population, but it does not keep deer populations at a continually reduced level. Immediately after a hunt, the remaining animals flourish because less competition for food exists, allowing the remaining animals to live healthier lives, and resulting in a higher reproductive rate."

"In Defense of Animals believes that sport hunting is not only an ineffective wildlife management tool, but a cruel and unnecessary practice. Sport hunting should be banned, allowing deer populations to regulate themselves naturally." (source)

I have to wonder if they've given any thought as to how nature regulates deer populations "naturally." Some people feel that "natural" is always better. But if you think about it you'll realize that nature is often more cruel than humans. What IDA is saying above is that they want to see an end to the hunting that allows some animals to "live healthier lives" and instead let the populations increase until nature causes all the deer to suffer, since nature regulates populations through starvation and disease. This is an odd choice for an organization that supposedly cares about animals since starvation, malnutrition, and disease cause far more pain and suffering than a bullet. I don't know about you but if I had to choose I'd much rather take a bullet through the heart than die a slow agonizing death through starvation.

So try not to hate hunters, at least not the ones who are ethical and support wildlife conservation. They're doing more good for wildlife than they're doing harm to it. They're human like you after all and, whether you want to believe it or not, humans are part of nature too.

Do You Squidoo?

2007-08-15T22:02:00.000-07:00

I've recently created a Wildlife Art group for Squidoo members. If you're a Squidoo member and have a Lens related to wildlife art I'd love to have you join my group. Of course it's for wildlife artists, but you don't have to be a wildlife artist yourself. Your Lens can be about a wildlife art gallery, a wildlife art publisher, or just your ramblings as a wildlife art collector or admirer, just as long it's primarily about wildlife and art in some way.

You can join through the group page here: Squidoo Wildlife Art Group

Ok, so ... for those of you who are scratching your heads going, "What's a Squidoo?" and, "Why would I want to be a member anyway?" .... well, I don't have a very clear answer really. I'm new to Squidoo myself and still trying to wrap my head around it. The closest thing I can describe it as is something akin to MySpace. It's basically just a place to show your stuff, share your interests, and network. The big difference between it and MySpace, however, is that it is more ... how shall I say it ... elegant? It's also more customizable and organized.

Another distinct advantage is, you can actually make money from having a Squidoo page (called a Lens). You can keep the money yourself of donate it to your favorite charity through their donation program. Here's what Squidoo has to say about making royalties from their site.

"It's simple. You make a lens. You recommend great stuff. Sometimes these you'll [sic] recommend a product from Amazon or eBay or CafePress or one of our hundreds of other commerce partners.

"Since Squidoo is free to use, we have to run a few ads on your lens in order to keep our doors open. So you'll see a few Google ads and SquidOffers on your lens.

"Now, since you're the brain behind the lens, you should get a cut! And better than a cut: you get HALF. That's right. Any time someone stops by your lens and buys a product you recommended or clicks on a Google ad, you get 50% of the royalties."

It's not just about showing off what you have to sell. If you have anything at all you like to talk about make a Lens on Squidoo. Do you have a passion for tropical fish? Make a Lens about that. Share your experiences with keeping fish. List your favorite books about fish, and your pet stores for buying fish, etc. Do you love sci-fi? Make a Lens about that and list your favorite books and movies. You might just make some $$ by doing it.

It's definitely worth checking out:

Artist's Book of the Month

2007-08-12T23:26:00.000-07:00

I just recently updated my wildlife art website and on that site I have a Book Recommendations page. While considering which books to add to the list I decided it might be fun to write an occasional blog post about one of the books on the list and talk about why I recommend it. So here goes.

We'll start this off with Problem Solving for Oil Painters: Recognizing What's Gone Wrong and How to Make It Right

Now, before all you watercolorists and colored pencil artists start yawning just hang on a second. One reason I want to talk about this book is because I thin the title is a little misleading. It really should be titled Problem Solving for Artists. There's very little in this book that doesn't apply to 2-D art of any medium. The artist/author, Gregg Kreutz, discusses things such shape, value, light, shadows, color, and depth, things important to consider whether you're using oil paints or pencils. He often shows comparison paintings of the same subject to clarify the differences he's talking about, which is very helpful.

Overall it's a great book for beginners and intermediates, although that doesn't mean some advanced artists won't find a few helpful points as well.

The 12-Step Program to MySpace Obscurity

2007-08-09T22:48:00.000-07:00

I've recently created a MySpace page for my wildlife art to help promote my artwork. I've been spending a little time each day networking MySpace. I've come to realize it's a lot harder to find other artists to network with than I had originally thought. Apparently many artists who create MySpace pages don't want to be found, or at least don't want to network with anyone interested in art. So if you're like those artists here are some tips to make sure you, too, won't be found, or made Friends by, anyone interested in art:

1. Don't post any images of your art. Definitely don't put any pictures on your main page. Force visitors to click on your Pics link and when the do show them pictures of all your friends, family, and pets but not your artwork. That will bore them enough to leave your site very quickly. If you do decide to post some art images make sure they're private so no one can see them ... except, of course, your friends and family who have already seen them.

2. Avoid a consistent theme. Have pictures of a wide variety of your interests. Include pictures of Elvis, your dog's obedience class graduation, you and your friends at the last Star Trek Expo, or your favorite Playboy centerfolds (not that you'd ever see those last two together!). That will keep your page from looking at all professional.

3. Avoid anything related to your artistic interests. If you like to sculpt marine animals or paint seascapes be sure not to have any pictures that have anything whatsoever to do with the ocean or water. Show only images of your hamster's first birthday party instead.

4. Post your mug shot rather than art as your avatar. After all, someone interested in art who is browsing profile thumbnails might actually click on your thumbnail if they saw a picture of artwork. Make sure your thumbnail doesn't stand out among the millions. Additionally, make sure it's a poor quality image, the darker and blurrier the better. For extra obscurity make it a picture of you at your last bowling tournament with the whole bowling league in the background. With all that stuff in the picture no one will ever identify you or your artwork in that tiny 40x40 pixel thumbnail listing. Better yet, use the generic clip-art provided by MySpace.

5. Make your MySpace page difficult to read and navigate. Stylize your page to be so busy no one can find their way around. Make sure there are so many background colors that the text won't be visible on some part of the page no matter what color text you use. Or, you can go the other extreme and make your background all one color, then make your text match the background color. Green text on that lovely image of the rainforest works great. Or dark gray text against that stormy sky image is another wonderful way to get people to give up any hope of reading what you wrote.

6. Be sure to leave the About Me and Interests sections blank so no one will have a clue what your page is about. If you must put something there you can use obscure pictures, without descriptions, that leave it unclear as to why those images are there. Is that picture of palm tree on the beach a picture of your work? Or is it a work by an artist you admire? Perhaps it's a postcard from your last Hawaiian vacation? Or is it just a picture you found while surfing the web that you thought would add some nice decoration to your MySpace page? Keep viewers confused so they'll be sure not to relate your artwork to you.

7. Be sure to use poor grammar, punctuation, and spelling. You want to keep it unappealing and unprofessional. Be sure to include some fowl language, too. One particularly impressive site (for unappealingness) had in its About Me section, "The word 'f__k' is a regular part of my vocabulary..." (No, I didn't make that up) I'm sure that lack of professionalism will keep those big, bad, scary art galleries, dealers, and collectors far, far from her door.

8. Don't use any keywords on your page that might actually have you show up in a search. If you are a portrait artist be sure not to use either the word "portrait" or "artist" anywhere on your page. In fact, to be really safe, don't use any words at all. Search functions can't find you with just obscure images and and broken video links. And be sure not to use your name anywhere. You wouldn't want anyone to actually learn your name, or be able to search your name, or you might become a known artist.

9. Don't network. Don't add Friends, don't join Groups. Keep the existence of your MySpage page known only to you and your immediate friends and family who already know about your art. And, if someone should somehow accidentally stumble across your page they'll be sure to be turned off by the fact that you have exactly 1 Friend on your list, your mother. Additionally, require that people know your last name or email address in order to add you to their Friends list and be sure not to let either your name or address be known.

10. Music! Be sure to add loud annoying music to your page. Everyone loves your favorite song as much as you do, right? Of course not. So adding music, particularly if it's loud and irritating, is a sure way to get anyone clicking their browser's Back button in a hurry and get off them your page as quickly as possible. At the very least you'll get them reaching for the Mute button on their speakers and leave them in an unpleasant mood while they look over your page.

11. Don't blog regularly and don't write about anything interesting, especially anything related to art. You don't want people coming back for more! And you definitely don't want them thinking you have any interest in art despite your claiming to be an artist.

12. Decorate your page with ugly and obscene images. Having background images of gothic horror or artwork by Sorayama Hajime is sure keep your page from being family friendly. You'll eliminate a huge portion of the art market this way.

So there you have it. Do all, or at least most, of those things and you can be sure few people will get to know you and your art, or want to add you to their Friends list. At least you know I won't.

Dazzle Your Snail Mail with Zazzle

2007-08-07T22:37:00.000-07:00

It would have been a better subject title if I could have found a word for "mail" that rhymed with "dazzle", wouldn't it? But try to find one. Yeah, go ahead!

Anyway, I just got some postage stamps today....

You're thinking, yeah, so what?

Well, they're not just ordinary postage stamps. I got some postage stamps no one else in the entire world has. What's so special about my stamps, you ask? They have my artwork on them. :)

I got them printed up on Zazzle. Take a look!

Of course, there are lots of sites where I can have my wildlife art printed on coffee mugs, calendars, etc. But those things don't go anywhere where other people besides my immediate friends and family will see them.

These are real stamps I can use on real mail. Isn't that cool? :)

Of course it's not limited to artowork. Any image at all (well, within reason) can be uploaded nad turned into a postage stamp. Do you have an upcoming wedding? Send invitations with postage featuring the happy couple! When it comes time for mailing Christma cards send your cards this year featuring the happy face of your child opening gifts or sitting on Santa's lap.

Fore more info click on the Zazzle logo below.

Artists for Conservation

2007-08-04T21:17:00.000-07:00

Whether you're a wildlife artist or just someone interested in wildlife art here's an organization you should know about, Artists For Conservation (AFC) (formerly Worldwide Nature Artists Group).

If you a wildlife art collector this is a great place to look for your next purchase. Artist membership to this group is limited and requires a review process. Only artists whose work is of high quality are accepted and allowed to display their work on this site so you can be sure you will be browsing some of the best wildlife art out there.

If you're an artist it's a great tool to help increase exposure, sell your art to a targeted market, and help contribute to wildlife conservation in the process. They advertise their website regularly in publications such as Wildlife Art Magazine. They keep a listing of upcoming events of interest to member artists as well as offering opportunities to participate in co-op advertising, member shows, and their Flag Expeditions.

Artists For Conservation is launching its fifth Flag Expedition this month with artist Alison Nicholls who will head off to Zimbabwe where she'll get to spend 6 weeks drawing and painting African Wild Dogs:

"In late August 2007, Nicholls will embark on a six-week expedition to Hwange National Park in northwestern Zimbabwe to locate Painted Dogs and create a detailed artistic field study of the dogs and their natural habitat. The name Painted Dog is derived from the Latin name for the species Lycaon pictus. African Wild Dog is the more commonly used name, but ...."

For more info on the expedition visit their expedition page here.

Wolf Art, Art Wolfe, and the Art of Photographing Nature

2007-08-01T23:50:00.001-07:00

Ok, so I'm not really here to talk about wolves in art specifically. But I would like to talk about Art Wolfe and his TV series, Travels to the Edge with Art Wolfe. Probably anyone who is even halfway interested in wildlife has heard of Art Wolfe and his amazing nature photography. If not, I'd be interested to know what rock you've been living under. ;)

Art Wolfe is truly an exception nature photographer not just because he is good technically but because his images are also very artistic. Artists can learn a lot from good photographers. After all, the basic rules of what makes good image regarding composition, lighting, and design are pretty much the same.

This TV series has some great film footage as well as snapshots of Art's images. In some areas the show also airs in HD (high-definition) so if you have a HDTV you're in for a real visual feast! (Check out the web site for information on when the show airs in your area.) Also, Art Wolfe himself is entertaining in the show. His passion, enthusiasm, and sense of humor make him amusing to watch. But besides that he's also informative. He talks about how and why he picks particular shots and what excites him about it, whether it's the lighting, color patterns, or the underlying abstract designs. If you have a DVR and can pause it be sure to do so when he talks these things. It helps to stop the DVR and analyze the shot he's referring to fully appreciate the artistic value. Imagining it as a painting, thinking about how you'd do a painting using similar ideas of light, color patterns, and design can be a great learning experience. This is definitely a must-see series for anyone interested in any combination of art, photography, and nature.

I'm also reading a book, The Art of Photographing Nature, by Art Wolfe and Martha Hill, former photography editor of Audubon magazine. It's a great book for both photographers and artists who want to photograph nature subjects to use in their art. Many examples in the book use multiple shots of the same subject to compare in order to discuss what makes one image better than the other. Both give their opinions on what makes the better image. Most of the time they agree, sometimes they don't. In either case it gives you a lot to think about and learn from.

Birds, Blooms, and Butterflies

2007-07-31T00:28:00.000-07:00

As much as I love wildlife I've never been a serious bird watcher. Sure, I have the National Audubon Society Field Guide to North American Birdsjust as I have a reference book for nearly every type of animal I've even half considered painting. But I never actually did much to attract or observe real birds before. It's not that I don't like birds. I've just been more focused on large mammals such as deer. Recently, however, I've become more interested in birds and have discovered the joy of observing the beautiful little creatures since I installed a bird feeder and a bird bath in my backyard. I've been delighted to get quite a few visitors to my feeder in a fairly short time since its installation.

Up here in the Pacific Northwest, at least in the area where I live, the most common visitors to the feeder (of sunflower seeds) are the black-capped chickadee and the house finch. The house finch has shown up in both the pink and orange variety. We also get the occasional chestnut-backed chickadee, robin, dark-eyed junco, and a towhee (I have yet to determine if it's the spotted or rufous-sided).

Chickadees are by far my favorites. They are just so darn adorable! I also love sitting outside in the morning sun with my dog and a cup of coffee, listening to them sing. What could be more relaxing?

The cute little chickadees are not always so pleasant though. They seem to be the fussiest and messiest of all the birds at the feeder. They toss out 10 seeds for every one they decide is acceptable enough to eat. LOL Oh well, that's all right. The finches and juncos don't seem to mind cleaning up the tossed seeds off the ground. And I also have a nice garden of sunflowers growing now too. :)

Since I've become more interested in birds I've recently discovered a very nice magazine for anyone interested in attracting birds and other fun critters to their gardens. It's called Birds & Booms and has some wonderful images of birds and butterflies as well as tips on how to select and grow flowers that attract them. Definitely worth checking out.

Oh yeah, I almost forgot to mention I also had a rare visitor to the feeder one day, a goldfinch! I'll end this with a the photo I managed to snap of him before he ended his very short visit. Isn't he cute!? I think I'll need to paint some birds soon.

Penguins, Polar Bears, and Global Warming

2007-07-30T00:51:00.000-07:00

If you liked the movie March of the Penguins you might be interested to know about another film by the same team called Arctic Tale coming out next month that I just recently found out about. I really enjoyed their other films so I'm definitely be looking forward to this one!

"This summer, from National Geographic Films and Paramount Classics—the team who brought you March of the Penguins and An Inconvenient Truth—comes Arctic Tale. Narrated by Queen Latifah, this inspiring documentary chronicles the epic journey of a walrus pup and a polar bear cub in the icy world at the top of the Earth. The film highlights the beauty of the far north and the urgent danger its animals face as their habitat continues to vanish.

"In conjunction with the release of Arctic Tale, Paramount Classics has created an Arctic Fund to support four organizations working to protect the Arctic and its inhabitants. The Wildlife Conservation Society is proud to be among those chosen to share in a portion of the movie’s box office sales.

"Arctic Tale opens in New York on July 25 and nationwide on August 17. For more information about the film, visit www.ArcticTaleMovie.com"

It's amazing to me how many people still believe that global warming is not an issue despite all the signs such as wild weather patterns, glacial meltings, and rising sea levels. I hope films like these will do more to raise awareness that global warming is a real issue we need to start adressing right now, before it's too late.

Find out more about global warming at the Union of Concerned Scientists website.

Why Limited Editions?

2007-06-11T13:45:00.000-07:00

My frustration at not being able to find prints I want from certain artists had made me question the whole idea behind Limited Edition prints. Why do we want those? I believe the original idea was to make art buyers feel that they had put their money into some sort of investment that would appreciate in value. But who likes art? Only people who look for financial investments? I think if you're interested in financial gains there are much better ways to invest money.

So who really likes art? Pretty much everyone. Art appeals to all human beings on some level. Have you ever entered a home that didn't have at least one picture on the wall? Unlikely. Sure, most of these people are not art connoisseurs or serious collectors. But should someone have to be in order to enjoy art? I'm not even sure collectors actually enjoy art. I had one buyer tell me that he collected so much art he had to keep much of it stored in boxes, including one of mine. He told me an original of mine he'd bought a while back was being safely kept packaged and stored under his bed. What?! Who's enjoying my art there? The dust mites?!

I've thought a lot about whether or not I want to get my art published as limited edition prints and I am pretty sure the answer is no. Yeah, I know, most artists would love to. Seeing their work as Limited Editions makes them feel like they've reached some level of success. There's some prestige about having your work in limited editions. And many people think that open editions and posters "cheapen" your art and reduce your ranking as a respected artist in the art world.

But that's what the "professional" art critics (and, sadly, many artists) think. But I don't paint for art critics. I want to share my art with everyday people, as many people as want to enjoy my art. The idea of Limited Edition (LE) is a bit snooty and egotistical, in my opinion. LEs are often beyond the affordability of everyday people. Especially when an artist becomes well-known their LE prints can cost more than their originals once did! LEs tell many people of ordinary means that they are not worthy of owning the art. Should I tell the dog groomer down the street that she is not worthy of owning my art because she is not a bank CEO? (And, considering anyone and everyone can get LE giclées made online these days I really don't think there's anything special about LEs anymore, anyway.)

One publisher I was with sold litterally tens of thousands of prints of one of my images. If that image had been a LE of only 1,000 how many people would not have that image now? Obviously more than 1,000 people wanted it. Why should I tell them they can't have it? No, I don't think LE prints are for me. I want to keep my images affordable and available for as long as people want to buy them. And what's wrong with that?

Website updated for print purchasing now

2007-06-08T09:42:00.000-07:00

Ok, I updated my Wildlife Art web site last night to link to the new print purchasing pages. You can click on the scrolling thumbnail box in the left frame and an page should pop up that has the purchase options for that image. (You might have to temporarily turn off your pop-up stopper for it to work.) Or you can click on the "Gallery" button to browse all the images. If you click on an image it will take you to the purchase print screen. That method should work even with your pop-up stopper on. They both ultimately go to the same print purchasing page, it's just 2 different ways of getting there depending on if you want to browse all artwork or scroll through the thumbnails.

An Introduction, Part 5

2007-06-05T22:52:00.001-07:00

So, there I was sobbing with a gift certificate to an art supply store in my hand. Of course, it made me realize that my "true self" was far, far from the Accounts Payable department. Wildlife and art. What could be better?! That was what I really should be doing with my life! Why hadn't I realized it before?

But, of course, I had to earn a living and I had huge student loan debts to pay back. So what could I do? I had to keep going to work and trying to find a little time to paint on the side. Dreams of painting full-time just weren't realistic at that time. I needed to be practical, responsible, of course. Well, fortunately, that practical side of me only lasted about 6 months. I just couldn't take the boredom of accounting any more and quit my job with the "crazy" idea of painting full-time and somehow making it work. Hey, I'd survived as a starving student, why wouldn't I be able to survive as a starving artist? :)

It's hard to remember know how it started. Somehow a friend of mine told me about a guy who knew a guy who knew a guy .... who ran a local wildlife and western art gallery. I got an appointment to show my paintings and they were impressed enough to give me a shot. I needed to have, however, several more paintings before they'd give me a section of the gallery. Encouraged, I went home and painted like mad. After I had about 6-8 paintings I was in! My art was hanging in a real and reputable gallery!

(more in part 6)

I'm on an art buying binge!

2007-06-04T23:25:00.000-07:00

Yikes! I'm on an art buying binge! After buying a Dino Paravano print, then 2 Leon Parson prints (see June 3rd post), I went on to buy a Paul Bosman print:

But I didn't stop there. Just tonight I also bought a Jim Kasper print, and a clock with artwork by Lee Kromschroeder.

I'd better stop soon. I can't afford to frame all these! LOL

Leon Parson prints finally!

2007-06-03T23:23:00.000-07:00

I finally managed to acquire some Leon Parson prints. My very first! Not my favorite by him (which I still can't find) but still quite lovely. You can see them here:

Barren Ground Monarchs
On the Move

I can't wait to get them framed and hung!

Who's one of your favorite wildlife artist?

An Introduction, Part 4

2007-05-28T22:43:00.000-07:00

Ok, so here it was, graduation time. So what did I graduate with a degree in? Business Administration with a concentration in Accounting. Yeah, I know, accounting is about as far away from art as Pluto is from the sun, but it had to be done. At the time, I had been in college so long, I just needed to graduate, whatever the major. Funds, choices, and stamina had all run out. And, well, accounting was a practical major, right? Every company in the world needs an accountant so there would be no problem finding a job.

Well, before I graduated I'd already had a job lined up working in an accounts payable department for a well-known and very large healthcare firm. Couldn't be too bad, right? Math is, ummm, somewhat interesting. I kind of liked studying it in school. It should be all right ....

OMG, the accounts payable job was about as exciting as watching paint dry. No, actually, that's not true. If the paint were on a piece of art it would have been far more interesting to watch the paint dry! (For all you who work in accounts payable, I feel for you, and I'm sorry!)

Shortly after graduation and the new job my sister gave me a graduation card. In the card was a gift certificate to a local art supply store. It was kind of a surprise to me. I'd been so busy with classes, a part-time job, and studying that I hadn't even thought about art in a while. There'd simply been no time for it. Within the card was a note that said, "Maybe now you'll have time to express your true self."

After reading that I actually cried.

But it changed my life....

(continued in part 5)

Art on my Wall!

2007-05-24T23:34:00.000-07:00

Yesterday I got the Dino Paravano print (see May 19 post below) I ordered and hung it up last night. So nice to see some wildlife art on the walls finally.

Next I'm determined to get a Leon Parson print. One of my favorites of his is, unfortunately, all sold out. I'll have to find a new favorite among the availables. Here's the one I wish I could have. I hope he doesn't mind me posting it here. I really wanted to share some of his beautiful work. I just love the way he uses color. He has every color of the rainbow in there yet it doesn't look gaudy or chaotic in the least. Somehow he keeps the colors harmonious and soothing. Amazing, in my opinion.

Check out his web site to see his other works: http://www.leonparson.com/

An Introduction, Part 3

2007-05-23T23:09:00.000-07:00

Well this is starting to look more like a biography than an introduction.

So, last time I left off with that nasty word "reality." That meant thinking about what I was going to do for a long term career. It was time for college and I had to start thinking about what I was going to study. Strangely enough, art was not one of the majors I was considering. My father, as much as he liked art and nature, was always very negative about the prospects of earning a living doing art. The only artists are starving ones, you know. On top of the belief that all artists are starving my father also believed life was not about doing what you want to do, only about doing what you had to do. He even told me once that if I was having fun I was doing something wrong. Eek! (He grew up in New England during the depression years so I suppose it was the whole Puritan work ethic thing.) Consequently, I must have been convinced from an early age not to consider art as a possible college major because the thought of studying art actually never even occurred to me during my college years. Wierd, huh?

Unfortunately, when you remove someone's true love from the list of options there is nowhere to go. I ended up bouncing around from one major to another like a ball in a pachinko machine because I could find nothing that I truly wanted to make a career out of. This meant I also spent way too many years in college, but I won't bore you with all the details of those long years or the subjects I studied. I'll just jump ahead to graduation and the one thing that someone said that changed my life.... (continued in Part 4)

An Introduction, Part 2

2007-05-20T19:50:00.000-07:00

Ok, so where'd I leave off? Oh, yeah, Walt Disney. What does Walt Disney have to do with my interest in wildlife art? Well, I don't remember exactly what age I was when my parents first took me to see Walt Disney's Bambi but I was very young. But even at a very young age the struggles of the young deer, and the beauty of Tyrus Wong's art, struck me. After that, deer became my favorite subject to draw, especially Bambi and his friends. For a long time wanted to draw almost nothing but deer. This led to a fondness of other hoofed animals as well ... elk, moose, antelope, giraffes, horses ... I drew them all.

As I got a little older and my father took me horse back riding more and more I started drawing horses more then deer. I fell in love with horses and when I was 13 years old my father finally caved from all my begging and pleading and bought me my first horse. That was it. That's all I cared about for the next decade, horses! I no doubt drew a gazillion pictures of horses during that time.

Eventually, however, I started to outgrow horses. I'm not sure why but somewhere in my 20's I turned back to nature and wildlife. I started spending more time out in nature again, hiking and camping and traveling the scenic routes of California and visiting national parks throughout the west. I took classes on wild edibles, native flora and fauna, and wilderness survival. Deer and other wildlife once again became a favorite art subject. I started to dream of doing art for a living. But then reality set in.... (More in Part 3)

I Need Art

2007-05-19T22:24:00.000-07:00

I have no art on my walls in my home. Isn't that odd for an artist to have no art? I really need to buy some. I've looked a few times but I never buy any. The problem is there is so much beautiful art out there I can never decide which to get. If I buy this picture will I regret not buying that other one?

Actually, I did manage to buy one print very recently, a picture of a family of lions by Dino Paravano. I've sort of been into monochromatic color schemes lately and I've always liked backlighting so this one caught my attention: Pride's Proud Family

Still, that's only one picture. I have many more walls to fill. Friends have told me to hang my own artwork on my walls. But I can't bring myself to do that. It seems too vain, conceited, egotistical, or something like that. What do you think?

An Introduction, Part 1

2007-05-18T21:42:00.000-07:00

Ok, so who am I? And why am I starting a blog?

The first question I can answer ... maybe. LOL Well, at least I can tell you who I think I am, but whether or not I really know who I am has yet to be determined. :)

As for the second question, I can definitely say I have no idea. It's just a place to put down my thoughts, I suppose. I've tried keeping a regular journal in a physical book but, although I start it with enthusiasm, I never keep going with it for long. Maybe knowing someone might read this will motivate me to keep writing. Maybe not. Will you be the one who is disappointed? Or will I?

Ok, so back to the first question. This is who I think I am:

I am an artist. I am an animal lover. I am a nature lover. Specifically, I am a wildlife artist.

I was born in southern California, the daughter of a landscape painter and draftsman. My father loved to paint landscapes and do caligraphy. You know, I've never asked him why or where he got that from. Weird. In any case, I'm sure I picked up some of my artistic interest from him. As far back as I can remember I liked to draw, color, and paint. I drew so much that my parents couldn't keep enough paper in the house. I drew on practically any and every flat surface...well, that didn't get me grounded. My father, whose day job was that of a draftsman, often brought home huge stacks of used computer printer paper from his work for me to draw on the back of. This was in the days when computer printouts were on huge strips of perforated paper with holes along the sides for the printer feed, so the stacks could be quite large. (Yeah, you know I'm old now!) I had a voracious appetite for drawing and coloring and would make quick work of it. But it was the only way he could keep me from resorting to drawing on less desirable surfaces, like walls and tables.

My father was also a nature lover. One of his favorite shows to watch was Mutual of Omaha's Wild Kingdom, which I often watched with him. (Oh my! Now you really know how old I am!) He also enjoyed camping, fishing, hiking, and horse-back riding and often took me with him on such weekend outings.

As for the animal lover in me, well, that probably came from having so many pets. My father, despite being a nature lover, didn't actually like pets. My mother, however, loved them and wanted to rescue every abandoned animal in the world! At one point I think we had 13 cats, 5 dogs, a duck, a snake, and a turtle. And, I lived in a small suburban house, not a farm, so that was one crowded home!

This exposure to a combination to art, animals, and nature from an early age makes it seem only natural that wildlife art became one of my passions.

I had a little help from Walt Disney too.... (More on that in Part 2)

Well it's time to jump on the bandwagon.

2007-05-17T17:18:00.000-07:00

I guess I'm behind the times being without a blog. So here's my first step in catching up.